The delicate paradox of a return to the future where jazz illuminates the romanticism greeted by Chopin, Liszt, Berlioz, Victor Hugo or Théophile Gautier. Success is probably as much due to the straight and classical sound of Martin as to Stantchev who does not abuse jazz traits too marked, yet discreetly revisits the history of jazz by going to draw in this repertoire before his invention ... more